Welcome to WordCrazyAuthors

Your WordCrazy hostesses, Michelle O'Leary and AJ Caywood, welcome you to their blog about writing and hope you enjoy the mind-bending mania. Feel free to join in with your own brand of insanity...crazy loves company.

Friday, December 11, 2009

Twitter Haiku Challenge!


Twitter is a fun social network, great for meeting new people, exchanging ideas and info...and finding new addictions. My latest addiction was founded by a Twitter user named @baffled, who began a daily challenge to create haiku poetry (senryu is also accepted) incorporating a word-of-the-day. You can find @baffled on Twitter, or do a search on Twitter under the topic #haikuchallenge to see the latest entries. Even people who don't Twitter can join in the fun by going to Baffled's site: http://haikuchallenge.tumblr.com/

What follows are my challenge entries so far for December. I hope you enjoy reading my haiku/senryu poetry, and please feel free to comment on likes or dislikes! I'm greedy for feedback. ;)

Challenge word haze
Moon glows undaunted
Through haze of jealous thin cloud
Celestial pride.

Challenge word field
Fawn takes light steps in
Wide field of unbroken white
Innocent courage.

Challenge word course
Glacial cold seeks and
Follows its instinctive course
Ancient memory.

Challenge word myth
Ancient icy wind
Smothers world in white, turning
Footprints into myth.

Challenge word wager
Sun meets horizon
Wager lost against twilight
Night reaps its rewards.

Challenge word barely
Sweet treasure's wrapping
Brushed aside, barely breathing
Succulence revealed.

Challenge word delicious
Delicious slow touch
Inviting eyes, wicked smile
Wordless seduction.

Challenge word courage
Dragonfly hovers
Meeting my curious gaze
Small jeweled courage.

Challenge word beyond
He is light and joy
Child of a sorrowful womb
Love beyond tears.

Challenge word void
Brave stars fill the void
With their slow and distant dance
Hope enclosed in night.

Challenge word doubt
Full arching willow
Reaches beyond doubt to sky
Then falls weeping.

***

Sunday, December 6, 2009

Do You Haiku?


Recently I discovered the difference between haiku and senryu—wait, let me step back a bit. First, I saw the word senryu and thought, “What the heck is that?” Then I discovered the difference between haiku and senryu. I had no idea that senryu even existed. I was fascinated by this little piece of the world of Japanese poetry, and intrigued to find that it’s just the tip of the iceberg.

As an amateur haiku poet, I admit to having a great deal to learn about the mechanics and nuances of haiku creation. If you’re here looking for a lesson from a haiku master, you’ve stumbled into the wrong blog. You’re perfectly welcome, of course, but if it’s detailed, official information that you seek, there are infinitely more knowledgeable sources than me. About the difference between haiku and senryu, I found this link enlightening:
http://www.shadowpoetry.com/resources/haiku/haiku.html

Haiku originated with the Japanese, a people that have an unbelievable talent for quiet elegance and simple majesty. Haiku revolves around the magic number 17—a traditional Japanese haiku is made of 17 characters or less. This does not translate well into Western languages, however, so when we adopted this form of poetry, we changed it from 17 characters to 17 syllables or less. I hope the Japanese people see this as a compliment—imitation being the greatest form of flattery—and are not offended that we’ve bastardized their poetry.

Both haiku and senryu are in this form, 17 characters or syllables in three lines of 5, 7, and 5 respectively. But where haiku traditionally focuses on aspects of the natural world, senryu focuses on human nature. There are nuances to both forms of poetry which govern their creation, but this is the simplest description and basic difference between them.

(Admittedly Amateur) Examples:

Haiku
Singing and silence
Fill distance between lovers
Sweet feathered courtship.

Senryu
My child’s smile could light
Vast rooms full of grim shadows
Joy chasing sorrow.

I’ve not ventured far into the realm of senryu, but I’m excited to learn about it and itching to practice. As a nature lover, it’s easier for me to create more traditional haikus, but challenge is good for the soul and mind. And hopefully, while I’m practicing, experienced senryu poets will be kind. If you see my senryu efforts elsewhere on the net, please don’t point and snicker.
;)
***

Friday, November 27, 2009

Turkey Day & Black Friday


(For those who celebrate Thanksgiving and Shopping)

Thanksgiving has become one of my favorite holidays. During my childhood, it was basically torture, lots of boredom and uncomfortable family interactions. But now that I'm an adult, and we do Thanksgiving with less pomp and more fun (the difficult family members do not attend), I really love this holiday. We laugh, we play, and we pig OUT.

Juicy and delicious organic turkey, yummy stuffing, sweet potato casserole, garlic mashed potatoes, and a killer spinach salad (so we can pretend we're being healthy.) And of course, pumpkin pie. I threatened to throw up several times, yet didn't stop eating. What a hog-a-thon! Add in goofy family, Wii and board games, hockey, football, and you've got a recipe for a fabulous family get-together.

Which brings us to the day after, Black Friday. The stores open early and close late, sales abound, and people go a little insane. Will I be shopping today? Over your dead and rotting corpse!! Shopping and I don't get along under the best of circumstances, let alone the craziness of the biggest shopping day of the year. No, thank you. I'll just stay home and eat turkey sandwiches. (Yeah, baby!)
:D
Happy Holidays to all!
Peace and love,
-M
***

Monday, November 16, 2009

Helpful Writing Links

Completing a novel can be daunting enough, and then comes the task of submissions, markets, rights, editors, agents, and a plethora of other issues that follow. Learning the business side of writing is the next step that must be taken. It can be a jungle out there when first starting out, and a lot of time can be used in the research that needs to be done. Below is a list of places that can answer some of those writing questions and hopefully cut down on time consuming searches. Some of the listings are free to use while others charge a fee. Each of these listings are legitimate and helpful.

AAR - The AAR was formed in 1991 through the merger of the Society of Authors' Representatives (founded in 1928) and the Independent Literary Agents Association (founded in 1977). To qualify for membership in the AAR, an agent must meet professional standards specified in the organization's bylaws and agree to subscribe to its Canon of Ethics.
AAR

Copyright - An author's work is under copyright the moment it is created and fixed in tangible form. Some confusion arises over copyright registration. You do not have to pay for a copyright, only if you register your copyright with the US Copyright office. Registering a copyright allows the author to sue for infringement of their work. For much more information on copyrights, visit the U.S. Copyright Office

Duotrope Digest - A free database of over 2700 current markets for short fiction and poetry. Use this page to search for markets that may make a fine home for the piece you just polished.
Duotrope Digest

Miss Snark's Blog - Miss Snark is a legit Literary Agent that blogged for a while. Although she no longer adds to her blog, the information she has listed there is priceless. Got an agent question? She's probably answered it, with spice.
Miss Snark

Preditors & Editors - A free guide to publishers and writing services for serious writers. P&E is chock-full of information on all aspects of writing and they list scams and places to avoid.
Preditors & Editors

Publishers Weekly - The International Voice for Book Publishing and Bookselling. THE place to find publishing news.
Publishers Weekly

SFWA - Widely recognized as one of the most effective non-profit writers' organizations in existence.
SFWA

Writers Market Online - Where and how to sell what you write. More than 8,000 listings including: fiction, nonfiction, children, scriptwriting, poetry, publishers, literary agents, magazines, and contests.
Writers Market Online

Monday, November 2, 2009

Short Story Writing

Early in my writing life, and after my first novel was published, I felt certain I would never be able to write a decent short story. For a few years, I didn’t even attempt one because I couldn’t see how I could cut back on my word count to create a good story. Today I have seven short stories published along with two magazine articles. I look back on how I used to think about shorts and wonder what in the world was going on in my head. I think mostly it was fear. How did I get over that fear to move on to short story writing? I didn’t force myself into writing one just to do it because I knew there would be no creativity there, and no passion. I began to read a lot of short stories, paying close attention to their structure and pacing. It was the key to allow myself to let go of that fear, let my creative mind wander in that direction, dreaming up a multitude of ideas.

Typically, short stories focus on a single incident, have fewer characters, and cover a brief period in time. It’s a story that can be read in one sitting while snuggled in an easy chair with a favorite beverage. Edgar Allen Poe was a master of the short story, and Kurt Vonnegut, Nathaniel Hawthorne, and Ernest Hemingway were highly accomplished in the form of short story writing. When those half-hour radio shows were popular, it was the short story that brought them to life for that audio world. The legendary Fables (or Parables) can’t be left out; these shorts have been used through the span of time to enlighten and entertain readers, their messages staying with us forever. There was Aesop, Geoffrey Chaucer, The Brothers Grimm—familiar names that stir emotions within as we remember their stories.

On the publishing side of the short story market, it does seem to have dwindled over the years. Stephen King wrote about this in an article a couple of years back (SK Article). But as he also said, there are those that are still passionate about the short story whether writing them or reading them. We need to keep that passion alive. The magazine market and anthologies are the best places to submit, and many established authors put together their own book of shorts. Word counts for short stories can vary a lot! I’ve seen 20,000 words or less, and almost always at least 2,000 words. Always check the writing guidelines before submitting. A great place online to check for short story markets is Duotrope Digest.

Short story writing is an art that is well documented throughout our literary history. Let’s continue to buy, read and write them. In a world where so many of us have limited time for anything past work or parenting, let’s take a few minutes to grab a pad and pencil, a magazine or an anthology and get lost in another time and place. It’s amazing how that little trip can refresh the soul.

My Best to All,

AJ Caywood

Tuesday, October 13, 2009

Evolution of Character


Many successful authors of creative fiction recommend outlines of plot and characters before beginning the story. It’s a wonderful idea for keeping a writer on track with the storyline and for fleshing out the details of a story’s cast of characters. For many writers, already knowing the details of their characters, like description, history, associations, and motivations within the story can enrich their writing, giving depth and atmosphere to the story.

Yes, outlining is a great idea. I highly recommend it as a writing tool. Unfortunately, I am just not built that way. For me, the fastest way to kill a story idea is to work out the details of a plot and characters in outline form first. They die a swift and horrible death in the dry, analytical environment of the outline. By the time I get to that first page of writing, there is no magic left, and I have to let it go.

Don’t misunderstand me—I don’t begin totally from scratch, sitting down to a blank page with not a thought in my head on plot or character. I make general sketches, and I find it necessary to keep notes as the story progresses to remind myself of crucial details and keep a logical progression of the story. But for me, the magic in writing is the unexpected evolution of both plot and character. In my writing world, this evolution is driven by the characters.

This might make me sound a little psycho, but I can’t tell you the number of times I’ve begun to write with a story direction in mind and had it go in a completely different, unexpected direction due to the unfolding dialogue and actions of the characters. I’m the creator—I’m supposed to know where this stuff comes from, but that’s why I call it ‘magic,’ because these twists and turns take me as much by surprise as they do my readers.

This is why I love to write so much. It fascinates me to watch the story unfold beneath my fingers, to see the characters grow and change before my eyes. They begin as two dimensional figures and blossom into beings that are so real to me that I can almost believe they are alive. (See Character Talk on my website for proof ;)

Some might argue that this makes my story very two dimensional at the beginning, but here’s the beauty of editing—I can always go back and flesh out the characters and storyline, or hack and slash as necessary. This writing method affords me all the creative joy without the life-sucking, mind-numbing effects of the formal outline.

However, I can’t recommend this method to every writer. My brain works in strange, mysterious ways, and what works for me might drive another author to drink or ruin their writing experience. To each his or her own! Me, I’m into evolution.
***

Tuesday, October 6, 2009

What Are We Working On? Part 5


The Light of Kaska by Michelle O’Leary

This is another sci-fi romance, which in case you couldn’t tell is my favorite genre to write. I’ve added a murder mystery to this title, though the focus is on the characters and their interactions. As with all of my work, this story is highly character driven.

Sukeza has spent the last five years away from her Kaskan home and family, a self-imposed exile as she tries to discover her true strength. She thought she’d found her place on an agricultural world as an animal handler, until the death of two children and the capture of Chase Stryker. He’s accused of murdering the children, but Sukeza is certain that he didn’t do it, even though he’s an escaped convict with a long list of violent crimes. Her insistence of his innocence earns her a strange hostility from the townsfolk, and she realizes that she was never an accepted part of her adopted community.

Chase Stryker has been in worse situations than being captured by a bunch of blood-thirsty farmers, but the situation would go straight to hell if the Collectors caught up with him. He would die before he returned to his sentence of mental containment. Unfortunately, his little defender, Sukeza, would be the focus of the townsfolk’s retribution if he busted out. No help for it—he’d have to take her with him. But how the hell did he get her home to Kaska without getting snagged by the Collectors?

___________________

Snippet of The Light of Kaska:

He shifted on the hard bench, irritated by her continued silence. What the hell did she want? His movement rattled his restraints—the shackles around his ankles, the chains wrapped around his waist, and his arms spread uncomfortably wide and bolted to the wall. The little room was heating rapidly, the sun burning through the small widow high up on the wall to his left. The night had been cold, but the day was looking to make up for it. Didn’t these people believe in insulation? Heating and cooling units? Friggin’ beds in normal jails instead of this makeshift little room in the town hall? Hadn’t there ever been a crime in this place before the murder of those two kids?

“You’ve hurt yourself,” the woman said suddenly in a low, melodious voice that surprised him. He’d been expecting a higher voice, maybe a girlish squeak. Her dark brows were now pulled together in a light frown, and he had to revise his original opinion of her age. Her slender build, doe-like eyes, and fright had made him think she was barely out of childhood. Late in her third decade, possibly early fourth was his current assessment.

When he didn’t answer, her eyes dropped from his, roaming his chains with a tightening of her features. “I’m Sukeza bet Marish. You’re Chase Stryker. You didn’t kill those boys.”

He went still, absorbing the impact of her words. Matrilineal heritage, a distracted part of his mind reflected as he registered the bet in her name. The rest of his mind was occupied by the fact that she knew who he was, knew he hadn’t killed the kids, and she’d made no move to set him free. The Collectors offered rewards for escaped convicts. Was that the plan, then? Keep him chained until those bastards came to collect him? His muscles tensed with desperate rage, but he controlled his reactions. She hadn’t come sneaking in here just to introduce herself. He wanted to question her, but something in him urged silence, stillness. He would wait.
___________________

The Light of Kaska is still a work in progress, though it’s very close to being finished. This story has been a joy to write—these characters have revealed a surprising amount of depth and dimension. Sukeza is not my usual kick-ass heroine, but she has strengths and facets that strike a very personal cord with me. Her journey home and Stryker’s discovery of her world reminds me of the importance and strength of family.
***